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In Belgium, France, Switzerland, and other French-speaking countries, many well-known comics artists have focused their attention on historical and political events. In works ranging from comic books and graphic novels to newspaper strips, cartoonists have addressed such controversial topics as French and Belgian collaboration and resistance during World War II, European colonialism en U.S. imperialism, globalism, anti-semitism in France, the integration of African immigrant groups in Europe, and the green and feminist movements. This anthology collects new essays that address comics from a variety of view-points, including a piece from practicing artist Baru and Hergé's Tintin series.

Comic books, strips, etc. --- History in literature --- Politics in literature --- History in art --- Politics in art --- History and criticism --- 82-931 --- 070.84 --- Stripverhaal --- Comics. Stripverhalen--(in de krant) --- Conferences - Meetings --- History in art. --- History in literature. --- Politics in art. --- Politics in literature. --- History and criticism. --- 070.84 Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- France --- Belgium --- Comic books, strips, etc. - Europe, French-speaking - History and criticism --- Drawing --- Thematology --- Literature --- beeldverhalen

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Girls in literature --- Girls --- Japanese literature --- J4176 --- J5509 --- J5930 --- Books and reading --- History and criticism --- Japan: Sociology and anthropology -- gender roles, women, feminism --- Japan: Literature -- theory, methodology and philosophy --- Japan: Literature -- modern fiction and prose (1868- ) --- Girls in literature. --- History and criticism. --- Japan --- Philosophy and psychology of culture --- Drawing --- Literature --- beeldverhalen

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82-931 --- 070.84 --- 76 <41> --- Stripverhaal --- Comics. Stripverhalen--(in de krant) --- Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 76 <41> Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 070.84 Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Comic books, strips, etc. --- War stories, English --- War in literature. --- History and criticism. --- History and criticism --- Comic books, strips, etc --- War in literature --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Manhua (Comic books) --- Manhwa (Comic books) --- Drawing --- Thematology --- beeldverhalen

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Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse.

Comic books, strips, etc. --- Women in literature --- Women cartoonists --- Women in art --- History and criticism --- tekenkunst --- strips --- graphic novels --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Kominsky-Crumb Aline --- Gloeckner Phoebe --- Barry Lynda --- Satrapi Marjane --- Bechdel Alison --- gender studies --- 82-312.5 --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Stripverhaal --- Comic books, strips, etc --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Cartoonists --- Women artists --- Barry, Lynda, --- Bechdel, Alison, --- Gloeckner, Phoebe. --- Kominsky-Crumb, Aline, --- Satrapi, Marjane, --- Catrapi, Marjān̲ē, --- סטראפי, מרג׳אן, --- Crumb, Aline Kominsky-, --- Kominsky, A. --- Kominsky, Aline, --- Goldsmith-Crumb, Aline, --- Tesori, Jeanine. --- Kron, Lisa. --- 741.53 --- feminisme --- beeldverhaal --- stripgeschiedenis --- kunst --- Women in literature. --- Women cartoonists. --- Women in art. --- History and criticism. --- Comic books, strips, etc. - History and criticism --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Drawing --- Literature --- beeldverhalen

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"Although France has changed much in recent decades, colonial-era imagery continues to circulate widely in comics, in part because the colonial archives are easily accessible, and through the republication of colonial-era comics that are viewed as classics. The latter include the 'Tintin' series of comic books, by the Belgian artist Hergé, and the 'Zig and Puce' series by Alain Saint-Ogan, a Frenchman. In this important new study Mark McKinney situates comics in debates about French colonialism, arguing that cartoonists still use representations of colonial history in their comics as a way of intervening in debates about contemporary France and its current relationships to its former colonies. McKinney argues that comics offer unique opportunities to both reproduce and thereby perpetuate colonial ideologies, images and discourses, as well as to deconstruct and contest them. The ways, and the degree to which, they do one or the other tell us a great deal about the heritage of imperialism and colonialism in French comics and society."--Book jacket.

Frankrijk --- Kolonies in de letterkunde. --- Populaire cultuur --- Strips --- Stripverhalen --- kolonies. --- geschiedenis. --- geschiedenis en kritiek. --- Comic books, strips, etc. --- Popular culture --- Imperialism --- Colonies in art --- Colonies in literature --- Literature, Modern --- Exhibitions --- History and criticism --- Colonial influence --- History --- Saint-Ogan, Alain, --- Criticism and interpretation --- France --- Africa --- Colonies --- Discovery and exploration --- French --- Civilization --- Comic books, strips, etc. - France - History and criticism --- Comic books, strips, etc. - France - Colonial influence --- Popular culture - France - History - 20th century --- Imperialism - Comic books, strips, etc. --- Literature, Modern - History and criticism --- Exhibitions - Comic books, strips, etc. --- Saint-Ogan, Alain, - 1895-1974 - Criticism and interpretation --- France - Colonies - Comic books, strips, etc. --- Africa - Discovery and exploration - French - Comic books, strips, etc. --- France - Civilization - 20th century --- Saint-Ogan, Alain, - 1895-1974 --- Drawing --- History of Belgium and Luxembourg --- Graphic artists --- beeldverhalen --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal